{"id":25,"date":"2013-04-07T21:51:55","date_gmt":"2013-04-07T21:51:55","guid":{"rendered":"http:\/\/erikchambert.se\/_\/?page_id=25"},"modified":"2022-03-22T13:05:04","modified_gmt":"2022-03-22T13:05:04","slug":"litteraturforteckning-mobler","status":"publish","type":"page","link":"https:\/\/erikchambert.se\/_\/litteraturforteckning\/litteraturforteckning-mobler\/","title":{"rendered":"M\u00f6bler"},"content":{"rendered":"<table width=\"100%\">\n<tbody>\n<tr>\n<td>Rachel Van Houghton, Sweden\u00b4s gift to simplified living, Home &amp; Field, New York, Vol 40, No 9<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1930<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Sten Anjou, Erik Chambert, en m\u00f6belarkitekt med god modern stil, Boet, \u00e5rg\u00e5ng 4<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1931<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Philibert Humbla, \u00c4delt tr\u00e4 och till\u00e4mpad kubism: M\u00f6bler fr\u00e5n Chamberts i Norrk\u00f6ping, Boet, \u00e5rg\u00e5ng 6<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1933<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Aktiebolaget Chamberts M\u00f6belfabrik, Minnesskrift med anledning av firmans femtio\u00e5riga verksamhet 1883-1933<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1933<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Erik Chambert, Modern lekstuga, Barnens Dags tidning<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1937<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Sv\u00e4rtingeblomster i tapetm\u00f6nster, Pristagarintervju, \u00d6sterg\u00f6tlands Dagblad, 21 februari<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1941<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Erik Chambert, Det danska konsthantverket, Norrk\u00f6pings Tidningar, 23 oktober<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1942<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Mona Roth, Ett arkitekthem i Norrk\u00f6ping, Svenska hem i ord och bilder; 31<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1943<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Erik Chambert, &#8221;Vi bo i friluftsstaden&#8221;, \u00d6sterg\u00f6tlands Dagblad, 13 september<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1944<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Elisabeth Thorman, Nordiskt konsthantverk p\u00e5 Liljevalchs,<br \/>\nNorrk\u00f6pings&nbsp;Tidningar, 14 september<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1946<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Erik Chambert, V\u00e5ra stolar fr\u00e5n barock \u00f6ver rokoko till empire, \u00d6sterg\u00f6tlands Dagblad<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1946<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Tavoli svedese, DOMUS, nr 252-53<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1950<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Erik Chambert, Dj\u00e4rva id\u00e9er och ny teknik i b\u00f6jtr\u00e4, skumgummi, plast, \u00d6sterg\u00f6tlands Folkblad, 30 september<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1952<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Aron Borelius, 70 flitiga \u00e5r, Chamberts jubilerar&nbsp;p\u00e5 museet, \u00d6sterg\u00f6tlands Folkblad, 9 april<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1953<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Gustaf Munthe, En gammal m\u00f6belfirma i \u00c5rsbok f\u00f6r<br \/>\nsvenska inredningsarkitekters riksf\u00f6rbund<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1953<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Gustaf Munthe, Chamberts jubilerar, Svenska Hem, nr 6<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1953<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Signaturen Ulrika, (sign) M\u00f6belexpo p\u00e5 museet, \u00d6sterg\u00f6tlands Dagblad, 8 april<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1953<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Signaturen Dixi, (sign) M\u00f6bler av idag och i morgon &#8211; Jubileumsutst\u00e4llning p\u00e5 museet, Norrk\u00f6pings Tidningar, 8 april<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1953<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">H\u00e5rd af Segerstad, 6 konsthantverkare i Nyk\u00f6ping, Svenska Dagbladet, 31 mars<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1958<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Gustrid Hellberg, Bo soligare, roligare, billigare, Idun, &nbsp;nr 17<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1959<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Inger Rosengren, H\u00e4r m\u00f6ts sk\u00f6nhet och funktion, Svensk Damtidning<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1959<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Bengt Cnattingius, M\u00f6belhantverk, \u00d6sterg\u00f6tlands och<br \/>\nLink\u00f6pings stads museum 5-17 februari<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1963<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Kerstin Eriksson, S\u00e5 h\u00e4r tycker m\u00f6belskaparen, Folkbladet \u00d6stg\u00f6ten, 27 mars<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1967<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Helena Dahlb\u00e4ck-Lutteman, Chamberts m\u00f6belfabrik &#8211; nittio \u00e5r och sedan?, FORM, nr 3<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1974<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Inger Rosengren, Deras m\u00f6bler har visats \u00f6ver hela v\u00e4rlden, M\u00f6bler &amp; Milj\u00f6 nr 1<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1977<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Kerstin Sandberg, Chamberts m\u00f6bler i n\u00e4ra 100 \u00e5r,<br \/>\nNorrk\u00f6pings Tidningar, 30 december<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1980<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Mikael Parr, AB Chamberts M\u00f6belfabrik,<br \/>\nNorrk\u00f6ping 1883.04.01-1979.12.31 Minnesutst\u00e4llning, Norrk\u00f6pings Stadsmuseum<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1983<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Lena Hagberg, M\u00f6belhistoria p\u00e5 stadsmuseet, Folkbladet, 12 mars<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1983<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Ann-Marie Jo\u00e9lius, Chambertska m\u00f6belfirman presenteras i utst\u00e4llning, Norrk\u00f6pings Tidningar, 12 mars<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1983<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Ylva Vesterlund, M\u00f6belarkitekten som var f\u00f6re sin tid, Norrk\u00f6pings Tidningar, 14 juli<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1984<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Helena Dahlb\u00e4ck-Lutteman, Fyra decennier med Chambertstil, Erik Chambert formgivare, Norrk\u00f6pings Konstmuseum 26.4-31.5<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1987<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Ann-Marie Jo\u00e9lius, En \u00e5terblickande expo av Chamberts livsverk, Norrk\u00f6pings Tidningar, 25 april<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1987<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Susanna Beskow, Enkelt och rent &#8211; ledstj\u00e4rnan f\u00f6r Erik Chambert, 84, \u00d6sterg\u00f6tlands Folkblad, 24 april<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1987<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Lena Liss, K\u00e4rleken till tr\u00e4 gjorde Erik, 85, till formgivare,<br \/>\n\u00d6stg\u00f6ta Correspondenten, 16 maj<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1987<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Inger Dahlman, Erik Chambert &#8211; Formgivare i Norrk\u00f6ping anslog tonen f\u00f6r vad som komma skulle, Norrk\u00f6pings Tidningar, 2 maj<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1987<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Monica Larsson, Formrevy, FORM<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1987<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Bo Sylvan, Erik Chambert d\u00f6d, Uppm\u00e4rksammad m\u00f6belskapare, Dagens Nyheter, 17 juni<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1988<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Inger Dahlman, Erik Chambert p\u00e5 Nationalmuseum, Norrk\u00f6pings Tidningar, 25 maj<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1989<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Bonnie Festin, Stolen, en film om m\u00f6belarkitekten Erik Chambert, 16 mm<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1991<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Monica Boman (red), Svenska m\u00f6bler 1890-1990, Bokf\u00f6rlaget Signum<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1992<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Helena Dahlb\u00e4ck-Lutteman, Erik Chambert, Konstn\u00e4ren som m\u00f6belskapare, Nationalmuseums utst\u00e4llningskatalog,&nbsp;Rasters f\u00f6rlag<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1992<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Sigrid Eklund Nystr\u00f6m, M\u00f6belarkitekt p\u00e5 1930-talet. Om inredningsfirman Futurum och hur en ny yrkesgrupp etablerar sig. Nordiska&nbsp;museets handlingar 112<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1992<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Hedvig Hedqvist, Ingenting \u00e4r s\u00e5 sv\u00e5rt som att rita en stol, Sk\u00f6na hem&nbsp;Nr 2<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1993<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Monica Boman, A Living Tradition,&nbsp;i katalog till&nbsp;utst\u00e4llning Svezia-Italia, Milano<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1993<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Hedvig Hedqvist, Formgivare med k\u00e4nsla f\u00f6r rummet. Nationalmuseum visar m\u00f6bler av Mathsson, Chambert, Kandell och Bolin. Svenska&nbsp;Dagbladet, 27 januari<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1993<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Margareta Carlsson Ring, Nyskapare p\u00e5 Nationalmuseum, Norrk\u00f6pings Tidningar, 2 februari<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1993<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Bonnie Festin, Italienska impulser, FORM nr 2<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1994<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Anne-Marie Ericsson i Svenska textilier 1890 &#8211; 1990, Bokf\u00f6rlaget Signum<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1994<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Cilla Robach, M\u00f6belarkitekt&nbsp;Erik Chambert p\u00e5 Stockholmsutst\u00e4llningen 1930,<br \/>\nC-uppsats Uppsala universitet<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1994<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Ulf Brunne, Intarsia &#8211; en historisk v\u00e4gledning, N\u00e4ssj\u00f6 kommun<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1996<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">\u00c5sa Nystr\u00f6m, Livets v\u00e5gsk\u00e5l, Kompendium Stenebyskolans m\u00f6belavdelning<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1996<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Arkitekturmuseets \u00e5rsbok<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1997<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Inga Wallenquist, Chambert kan vara v\u00e4rd en ren\u00e4ssans, \u00d6stg\u00f6takorrespondenten, 27 november<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1997<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Elisabeth Welander-Berggren, M\u00e4starnas magnifika m\u00f6belpussel,<br \/>\nAntik och Auktion, Nr 9 september<\/td>\n<td style=\"text-align: right; vertical-align: top;\">1998<\/td>\n<\/tr>\n<tr>\n<td>Eva Rudberg, Stockholmsutst\u00e4llningen 1930 Modernismens genombrott i svensk arkitektur, Stockholmia f\u00f6rlag<\/td>\n<td valign=\"top\">1999<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Ann-Charlotte Sandelin, Exklusiva k\u00f6ksstolar blir bruksf\u00f6rem\u00e5l, Norrk\u00f6pings Tidningar, 22 juni<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2000<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Inga Wallenquist, Ingen trendnisse som vissa andra,<br \/>\n\u00d6stg\u00f6ta Correspondenten, 30 november<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2000<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Cristina Karlstam, F\u00f6rf\u00f6riskt, Den sk\u00f6na modernismen, Uppsala Nya Tidning, 11 oktober<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2000<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Christian Chambert, Sommarbrev K\u00e4ra pappa och mamma, Uppsala Nya Tidning, 21 juli<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2001<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Dan Gordan (text), Patrik Johansson (foto),<br \/>\nSvenska stolar och deras formgivare 1899 &#8211; 2001, Byggf\u00f6rlaget<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2002<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Eva Nordenfelt, M\u00f6belskaparen Erik Chambert, Antik och Auktion Nr 5 maj<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2002<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Signums svenska konsthistoria. Konsten 1915-1950, Signums bokf\u00f6rlag<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2002<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Gunnar Henrikson, Otto Chambert m\u00e4starnas m\u00e4stare, Carlssons f\u00f6rlag<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2004<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Ingegerd J\u00f6nsson, Agneta Liljedahl, Moderna m\u00f6belklassiker &#8211; guide f\u00f6r nyfikna, ICA bokf\u00f6rlag<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2005<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Jane Fredlund, Erik Chamberts eleganta stolar, Moderna Antikviteter, V\u00e4rnamo<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2006<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Jane Fredlund, Stilguiden M\u00f6bler &amp; inredning 1700 &#8211; 2000, Prisma<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2006<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Bertil Arwidson, 100 \u00e5r med svenska m\u00f6bler.<br \/>\nFr\u00e5n snickeri till m\u00f6belindustri, AB Svensk Byggtj\u00e4nst<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2006<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Ingrid Sommar, Funkisstilen som byggde Sverige, Stockholm<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2006<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Dan Gordan, 1900-talets svenska formgivare,<br \/>\nErik Chambert &#8211; konstn\u00e4r i m\u00f6belriket, Sk\u00f6na Hem nr 6<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2007<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Sveriges b\u00e4sta industridesign? (synpunkt av Mattias St\u00e5hlbom) FORM designtidskriften Nr 1 februari<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2008<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Bengt Nystr\u00f6m (red), Svenska m\u00f6bler under 500 \u00e5r, Natur och Kultur<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2008<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Kristina W\u00e4ngberg-Eriksson, Christer Eriksson, Josef Frank M\u00f6belformgivaren, Carlssons f\u00f6rlag<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2014<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Christina Pech, Arkitekturmuseets utst\u00e4llning Funktionalismens genombrott och kris: ett bidrag till Historieskrivningen om svensk 1900-talsarkitektur., sid 33-64 i Monica Sand (red) Forskning i centrum, Stockholm: Statens centrum f\u00f6r arkitektur och design<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2014<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Mats Granberg, Efterlyses: Erik Chambert, Norrk\u00f6pings Tidningar, 19 augusti<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2015<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Sara Segraeus, Michael Svensson, Chambert ses med nya \u00f6gon, Folkbladet, 6 september<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2015<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Sara Segraeus, Antikexperter tog emot Chambert-m\u00f6bler, Folkbladet, 11 september<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2015<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Robert Svensson, Litet och exklusivt beskrivs i ny bok, Folkbladet, 19 september<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2015<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Pauli Olavi Kuivanen, Viktor Westin, Inte h\u00e4rma men f\u00f6lja naturen, Norrk\u00f6pings Tidningar, 1 oktober<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2015<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Ulla Ericsson, Unikt sk\u00e5p visas p\u00e5 utst\u00e4llning, Norrk\u00f6pings Tidningar, 1 oktober<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2015<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Jenny Palmqvist, Chamberts livsverk visas i Norrk\u00f6ping, S\u00f6dermanlands Tidning, 14 november<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2015<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Lotta Jonson, M\u00f6nster med lekfull l\u00e4tthet, Dagens Nyheter, 15 november<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2015<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Bonnie Festin (text) Bj\u00f6rn Dahlgren (foto), Sommar\u00e4ng, Konkret och Harlekin, Norrk\u00f6pings Stadsmuseum<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2015<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Kersti Sandin B\u00fclow, Erik Chambert som rumsgestaltare (kapitel i Bonnie Festin, Sommar\u00e4ng Konkret och Harlekin, Norrk\u00f6pings Stadsmuseum, Norrk\u00f6pings Konstmuseum)<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2015<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Erik Chambert M\u00f6bler, m\u00e5leri och textil, utst\u00e4llningskatalog Norrk\u00f6pings Konstmuseum; Bonnie Festin och Helena Scragg, f\u00f6rord och redakt\u00f6r; Ulrika Krynitz, Formgivaren Ulrika Krynitz m\u00f6ter Erik Chambert; Maria Tarkpea, Min pappa konstn\u00e4ren Erik Chambert; Inga Chambert, Verkligheten; Johan Knutsson, Med avstamp i naturupplevelsen och kulturarvet. Studenter vid Carl Malmsten Furniture Studies tolkar Erik Chambert<\/td>\n<td style=\"text-align: left; vertical-align: top;\">2015-2016<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Lotta Ekfeldt, Erik Chambert &#8211; ett livsverk genomlyst, http:\/\/www.omkonst.com\/15-chambert-erik.shtml, 28 oktober<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2015<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Jonatan Jahn, H\u00e4r \u00e4r Chambert fortfarande en ikon, Norrk\u00f6pings Tidningar, 15 januari<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2016<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Anita M\u00f6lder, Recension av Bonnie Festin, Sommar\u00e4ng, Konkret och Harlekin, Bibliotekstj\u00e4nst h\u00e4fte 2<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2016<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Hedvig Hedqvist, Christian Bj\u00f6rk, Eric Ericsson, Swedish Modern, Orosdi-Back<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2018<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">Dan Gordan, Svenska stolar och deras formgivare 1899 till idag, Nordstedts<\/td>\n<td style=\"text-align: right; vertical-align: top;\">2019<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Rachel Van Houghton, Sweden\u00b4s gift to simplified living, Home &amp; Field, New York, Vol 40, No 9 1930 Sten Anjou, Erik Chambert, en m\u00f6belarkitekt med god modern stil, Boet, \u00e5rg\u00e5ng 4 1931 Philibert Humbla, \u00c4delt tr\u00e4 och till\u00e4mpad kubism: M\u00f6bler fr\u00e5n Chamberts i Norrk\u00f6ping, Boet, \u00e5rg\u00e5ng 6 1933 Aktiebolaget Chamberts M\u00f6belfabrik, Minnesskrift med anledning av [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":40,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/erikchambert.se\/_\/wp-json\/wp\/v2\/pages\/25"}],"collection":[{"href":"https:\/\/erikchambert.se\/_\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/erikchambert.se\/_\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/erikchambert.se\/_\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/erikchambert.se\/_\/wp-json\/wp\/v2\/comments?post=25"}],"version-history":[{"count":44,"href":"https:\/\/erikchambert.se\/_\/wp-json\/wp\/v2\/pages\/25\/revisions"}],"predecessor-version":[{"id":708,"href":"https:\/\/erikchambert.se\/_\/wp-json\/wp\/v2\/pages\/25\/revisions\/708"}],"up":[{"embeddable":true,"href":"https:\/\/erikchambert.se\/_\/wp-json\/wp\/v2\/pages\/40"}],"wp:attachment":[{"href":"https:\/\/erikchambert.se\/_\/wp-json\/wp\/v2\/media?parent=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}